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The album's back cover reads:
It's light, it's gay and it's complete with dancing, singing and comedy all wrapped up in one enjoyable package.
That's what visitors are saying about the recreation of the stage shows of the Old West which is presented four times (note - 5 times during the summer) daily. Tuesday thru Sunday at the Golden Horseshoe Revue in Disneyland's Frontierland.
Headliner's, in Pepsi's free show, stage in an ornate "saloon" typical of the Wild West, are Donald Novis, billed as the "silver-toned tenor", Wally Boag, as the fun-loving comedian with a bag of tricks, and hostess "Slue Foot Sue" herself (Betty Taylor).
Typical of Walt Disney creations, and of Disneyland itself, The Golden Horseshoe radiates the atmosphere of it's "land" - the gun slingin' frontier setting of a lively "saloon", complete in detail to the can-can dancing girls, brass ringed "bar", cuspidors, and swinging doors.
Lone deviation from the past, in keeping with the Disneyland theme as a Magic Kingdom for the young and old alike, is that the "bartenders" serve only Pepsi-Cola to sooth thirsting cowpokes.
From the opening number, "Hello Everybody" featuring the entire cast, the show is received with favorable comments from the host of critics who pack the Golden Horseshoe for each performance.
Miss Taylor as "Slue Foot Sue" wows the audience with her renditions of "Bill Bailey", "A Lady Has To Mind Her P's and Q's", and "Pecos Bill", a number in which she is joined by Novis and Boag.
Novis, a former radio singer and night club entertainer, sides up and down the musical scale with his performance of Irish songs such as " Dear Old Donegal".
With the "Golden Horseshoe Girls" as a background, he also scores a hit with his version of Stephen Foster's "Beautiful Dreamer."
But it's left to Boag, the travelin' salesman who "just got off the stage from Chicago", to provide the rip-roarin', nimble footed comedy for kids from four to seventy-four.
Wally, who does balloon tricks for the kids, "shoots" the audience unexpectedly (with water pistols) and plays Pecos Bill (the toughest critter west of the Alamo), is of the comedian set whom it might be said: "you never know what's about to happen next."
An old West "saloon" just wouldn't be complete without those Can Can Dancers - and the Golden Horseshoe, is no exception to the rule. Lively numbers (dance, that is) feature the Golden Horseshoe Girls, Glenda Guilfoyle, Susan Reed and Shirley Doak.
Music for the show is provided by the "professor" Charles La Vere and his group, whose repertoire backgrounds the entire program. The trio includes Mel Patterson on the drums, and George Seaburg on the trumpet.
The Golden Horseshoe program, a 40 minute interlude in a wonderland which offers hours and hours of entertainment value, also includes community singing with Jack Watson at the piano during the times between performances of Slue Foot Sue's floor show.
The Photographs below are from the actual album cover |